HEâS the first to admit being something of a workaholic, but even when James Corden is filling his diary and giving up time with his family he insists heâs doing it all for his young son Max.
The 34-year-old has already felt the pain of a fall from grace and, despite rebuilding his career to national treasure proportions, knows it could one day happen again.
âWhen we had our son it put everything in perspective, and I felt I wanted to work as hard as I can because I want to give him the best start possible in life,â he says.
The doting dad, who enjoys strolling across Londonâs Primrose Hill with blond Max, who turns two in March, adds: âHaving a son has given me a great sense of clarity.
âYou get into your house and shut the door and itâs lovely to be greeted by this person whoâs become the most important thing. Itâs amazing.â
Thatâs why James has kept his foot firmly on the gas â" last year playing the lead in stage h it One Man, Two Guvânors in Londonâs West End and on Broadway, becoming the toast of the theatre world on both sides of the Atlantic.
He then capped it off by winning a highly coveted Tony Award.
At the same time he hosted Sky 1 comedy panel show A League Of Their Own.
Now heâs filming his own sitcom plus hosting his fourth Brit awards next week.
âIâm well aware that those opportunities wonât be around all the time,â he admits.
âThere will be a time when I know I wonât be wanted to host the Brits, and a time when itâll be Âsignificantly harder to get a show picked up by the BBC.
âTo be honest I donât even really worry about missing out on too much time at home, because I donât think Iâll always be working this hard.â
For the time being James is riding the crest of a wave â" with a Âmantelpiece full of awards testament to the fact heâs Britainâs most successful young star.
Chatting in his trailer in between filming The Wrong Mans â" his new BBC sitcom starring Dawn French â" the London-born actor is still clearly surprised by his success.
He says: âMostly itâs just a feeling of being very, very lucky, that Iâm able to do so many great things for a living. Itâs certainly more than I ever dreamed of.
âI do intend to have a bit of a break.
"After weâve shot the next series of A League Of Their Own I probably wonât do anything for a couple of months other than a bit of writing, but itâs a strange decision to make.
âOn the one hand you think, maybe Iâll have a break, but on the other hand you think, itâs the Brits, or itâs your own series or the lead in a play or a film, and who am I to not take those opportunities when they come up?
"Youâd be incredibly arrogant to think âthis is my life and I deserve these thingsâ.
âAnd also I really enjoy working hard, I love it, and in my experience the harder I work the luckier Iâve become.
âI feel at my most creative when Iâm in a creative environment, around creative people, so if anything I feel more energised having a lot on â" however tired I might be after!â
Thereâs contentment on Jamesâ face as he talks about his family too, grinning as he explains that married life is âlovelyâ, but ânot much different to the way it was beforeâ.
One of the best-connected men in showbiz, his star power was illustrated by the A-list congregation at his £250,000 wedding last September.
Guests included comedians Michael McIntyre, Jimmy Carr and David Walliams with his model missus Lara Stone.
Jamesâs wife, charity worker Julia, was introduced to him by his former housemate, actor Dominic Cooper.
The couple got engaged on Christmas Day 2010 and welcomed their son Max in 2011.
But his return to public favour is a dramatic turnaround for the actor, whose early success with Gavin And Stacey, The History Boys and Fat F riends was curtailed when his ego began to spiral out of control.
Routinely pictured out on the town, upon winning two Baftas in 2008, he complained from the stage about not being nominated for a third.
He and co-star Mat Horneâs comedy TV show was slammed by critics and their movie Lesbian Vampire Killers bombed.
âThe biggest thing was I really felt like I was just being a d***ÂÂÂ,â he later admitted.
âAnd I couldnât quite work out why. I remember thinking, if me two years ago met me now, Iâd think I was a bit of a k***.â
The transformation has also been a physical one as he shed a reported five stone before heading off to New York, and today looks svelte in a fitted black jumper as we chat.
Now a far more humble star he beams as he talks about his upcoming sitcom, co-written with pal and Horrible Histories actor Matthew Baynton.
However, heâs slightly less self-assured when talking about the upcoming Brits.
Last year he was furious when show bosses forced him to interrupt do uble-winner Adeleâs emotional acceptance speech to introduce Blur.
The singer flipped her middle finger to show her annoyance.
He later explained he was put in a âhorrible positionâ, and raced to the starâs dressing room to apologise.
This year ITV bosses have vowed to be more flexible, with the news programme that follows running late if necessary.
That at least should help him keep the peace at the booze-soaked and notoriously rowdy gig he admits is âa nightmareâ.
âIâve done the Brits three times before and Iâm looking forward to it,â he insists, âbut Iâm going to try and do it the same as I always have done â" just try and stay out of it as much as you can.
âFrom what I can work out that genuinely is the only way to host the Brits.
"You canât make a big impression in that room, because nobody is listening, no one is paying attention, itâs a nightmare of a room to play and I ignore the arena as much as I can and just do it to camera.
âIâm only really there for the people at home, and to fill time when they have to change the stage around â" there are all these big sets coming in and out.
âThe best music show o n TV is Jools Hollandâs, I donât think anyone would disagree with that, but the reason for that is that he just goes âthis is this, and that was thatâ, and I think thatâs the best way to showcase music.
âItâs not actually a hosting gig. In fact my whole part of the show is only about nine minutes in total, so the trick is just to run it as smoothly as possible.â
James is being modest about his input as in three years heâs helped tame the awards show from a drunken bunfight into an influential industry event.
âIâm incredibly proud of the changes that weâve made to it because it got to a point where the Brits had stopped selling music,â he says.
âYou couldnât get big international acts to come and do it because theyâd say, âWell itâs in a barn, nobody is listening, and it doesnât affect my sales the next weekâ.
âItâs a much slicker show now. Thereâs no heckling or people drunk on stage, chucking awards into the audience.
âNow weâre at the point where Adele performs Someone Like You when it wasnât even released.
"It shot straight to number one on downloads alone after probably one of the greatest performances in the history of the show.
âChris Martin last year was wonderful. When Coldplay picked up their award he said, âWeâre so proud to be here, the Brits used to be rubbish, now theyâre great.â
âWhen youâve got the frontman of one of the biggest bands in the world saying that itâs great. Thatâs why itâs such an honour to be involved.â
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